Here are the stencils, 30" x 40" roughly
Each paper was treated and worked heavily. They were all first toned and stained with coffee.
Ink, modelling latex, hairspray, and other insanity
Coffee, Ink, and Graphite
Pushing texture to extremes with burlap and plaster
Carving the paper for sharp highlghts. The process of these pumpkins is sculptural, repeated yet varied. Stencilling proved to be very diverse and adept to producing a series of work.
The final pieces will soon be cropped and I might take some decent photos of them.